You died on a Saturday morning. And I had you placed here under our tree. And I had that house of your father’s bulldozed to the ground. Momma always said dyin’ was a part of life. I sure wish it wasn’t.
Little Forrest, he’s doing just fine. About to start school again soon. I make his breakfast, lunch, and dinner every day. I make sure he combs his hair and brushes his teeth every day. Teaching him how to play ping-pong. He’s really good. We fish a lot. And every night, we read a book. He’s so smart, Jenny. You’d be so proud of him. I am. He, uh, wrote a letter, and he says I can’t read it. I’m not supposed to, so I’ll just leave it here for you.
Jenny, I don’t know if Momma was right or if, if it’s Lieutenant Dan. I don’t know if we each have a destiny, or if we’re all just floating around accidental-like on a breeze, but I, I think maybe it’s both. Maybe both is happening at the same time. I miss you, Jenny. If there’s anything you need, I won’t be far away.
”The Kiss”▸ Elvis and Barbara Gray photographed by Alfred Wertheimer backstage at the Mosque Theater, Richmond, June 30, 1956.
"The whole episode took about a tenth of a second. A minute later Elvis was on stage. Just then I was coming down from the men’s room and saw this scene. Of Elvis and the girl flirting, kind of having this private moment. I said to myself, "If I shot this… Elvis may have me fired and I lose my job" but then I said to myself, "What the heck I’ll take the chance…" While I’m having this internal conversation I put the camera to my eye and see these two figures in silhouette with a window background. So I got a little closer and closer and before I knew it and start snapping. Now they block my way so I stand up on the railing to get another angle. I get one picture where Elvis is in close. Then Elvis makes his move… sticks out his tongue… and the rest is history." — Alfred Wertheimer.